![\"Hope](\"https:\/\/lh4.googleusercontent.com\/-XCFXgd8Hobs\/TwJRzTdAVvI\/AAAAAAAAAqo\/2TGntPV-W8Y\/s500\/party-fails-after-what-every-new-years-comes-down-to.jpg\")
<\/p>\n\n\t<\/p>\n
\n\tSup, y'alls? I got told today that my lack of appreciation for 'Jack and Diane' and 'Pink Houses' by John Cougar Mellencamp was an indication that I didn't like music with poetry in it<\/em>. 'Fie on you, Satan!' says I! I'm rebutting that claim with a bunch of tunes\/bands I think have the qualities of poetry about them. While still keeping to my regular theme – that's right, we're still gettin' drunk, just like the poet in that X-Cops song – because poetry is always the better for having some form to fight against. So sayeth I.<\/p>\n \n\tUPDATE: Download the podcast! It was poetic! Like, EPIC poetry! Okay, not that epic. But really good, anyways, I think. Mostly because it was me playing music I really love. About getting drunk. Check it out by clicking here<\/a>. As always, we are on Facebook, and I get happy-faces when it says another person liked my Facebook page. You can check it out by clicking here<\/a>. <\/p>\n Sup, y'alls? I got told today that my lack of appreciation for 'Jack and Diane' and 'Pink Houses' by John Cougar Mellencamp was an indication that I didn't like music with poetry in it. 'Fie on you, Satan!' says I! I'm rebutting that claim with a bunch of tunes\/bands I think have the qualities of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-setlist"],"_links":{"self":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=457"}],"version-history":[{"count":0,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts\/457\/revisions"}],"wp:attachment":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\n Song<\/th>\n Artist<\/th>\n Album<\/th>\n Label<\/th>\n Year<\/th>\n<\/tr>\n \n A Good Night For My Drinkin’<\/td>\n Supersuckers<\/td>\n Motherfuckers Be Trippin’<\/td>\n Mid-Fi Recordings<\/td>\n 2003<\/td>\n<\/tr>\n \n This Year<\/td>\n The Mountain Goats<\/td>\n Tallahassee<\/td>\n 4AD<\/td>\n 2002<\/td>\n<\/tr>\n \n No Children<\/td>\n The Mountain Goats<\/td>\n The Sunset Tree<\/td>\n 4AD<\/td>\n 2005<\/td>\n<\/tr>\n \n Vagabond Holes<\/td>\n The Triffids<\/td>\n Calenture<\/td>\n Domino<\/td>\n <\/td>\n<\/tr>\n \n Fuego!<\/td>\n Murder By Death<\/td>\n Red of Tooth and Claw<\/td>\n Murder By Death<\/td>\n 2008<\/td>\n<\/tr>\n \n King of Beers<\/td>\n Treat Her Right<\/td>\n Tied To the Tracks<\/td>\n RCA<\/td>\n 1989<\/td>\n<\/tr>\n \n Carmelita<\/td>\n Warren Zevon<\/td>\n Warren Zevon<\/td>\n Asylum<\/td>\n 1976<\/td>\n<\/tr>\n \n Hula Hula Boys<\/td>\n Warren Zevon<\/td>\n Bad Luck Streak In Dancing School<\/td>\n Elektra<\/td>\n 1980<\/td>\n<\/tr>\n \n Play It All Night Long<\/td>\n Warren Zevon<\/td>\n The Envoy<\/td>\n Vivid Sound<\/td>\n 1982<\/td>\n<\/tr>\n \n Barrier Reef<\/td>\n Old 97s<\/td>\n Too Far To Care<\/td>\n Elektra<\/td>\n 1997<\/td>\n<\/tr>\n \n Beautiful Sorta<\/td>\n Ryan Adams<\/td>\n Cold Roses<\/td>\n Lost Highway<\/td>\n 2005<\/td>\n<\/tr>\n \n High Life<\/td>\n Whiskey & Co.<\/td>\n Whiskey & Co.<\/td>\n No Idea<\/td>\n 2004<\/td>\n<\/tr>\n \n I Drink<\/td>\n Mary Gauthier<\/td>\n Drag Queens in Limousines<\/td>\n Munich Records<\/td>\n 1999<\/td>\n<\/tr>\n \n God of Wine<\/td>\n Third Eye Blind<\/td>\n Third Eye Blind<\/td>\n Elektra<\/td>\n 1997<\/td>\n<\/tr>\n \n The Fear<\/td>\n Pulp<\/td>\n This Is Hardcore<\/td>\n Island<\/td>\n 1998<\/td>\n<\/tr>\n \n Dishes<\/td>\n Pulp<\/td>\n This Is Hardcore<\/td>\n Island<\/td>\n 1998<\/td>\n<\/tr>\n \n TV Movie<\/td>\n Pulp<\/td>\n This Is Hardcore<\/td>\n Island<\/td>\n 1998<\/td>\n<\/tr>\n \n Fairy Tale of New York<\/td>\n The Pogues<\/td>\n If I Should Fall From Grace With God<\/td>\n Island<\/td>\n 1988<\/td>\n<\/tr>\n \n The Sickbed of Cuchulainn<\/td>\n The Pogues<\/td>\n Just Look Them Straight In the Eye And Say… Pogue Mahone!<\/td>\n Rhino<\/td>\n 2008<\/td>\n<\/tr>\n \n Everything’s Bad<\/td>\n The Tossers<\/td>\n Communications and Convictions<\/td>\n Thick Records<\/td>\n 2001<\/td>\n<\/tr>\n \n Drinking In the Day<\/td>\n The Tossers<\/td>\n The Valley of the Shadow of Death<\/td>\n Victory Records<\/td>\n 2005<\/td>\n<\/tr>\n \n Delirium Tremens<\/td>\n Christy Moore<\/td>\n At the Point: Live<\/td>\n Koch Records<\/td>\n 2001<\/td>\n<\/tr>\n \n Here Comes Alice<\/td>\n The Jesus & Mary Chain<\/td>\n Automatic<\/td>\n Warner Bros.<\/td>\n 1989<\/td>\n<\/tr>\n \n Yeah Sapphire<\/td>\n The Hold Steady<\/td>\n Stay Positive<\/td>\n Vagrant<\/td>\n 2008<\/td>\n<\/tr>\n \n Bastard<\/td>\n The Mekons<\/td>\n The Edge of the World<\/td>\n Quarterstick<\/td>\n 1986<\/td>\n<\/tr>\n \n The Amorous Humphrey Plug<\/td>\n Scott Walker<\/td>\n Boy Child: 67-70<\/td>\n Universal Distribution<\/td>\n 1992<\/td>\n<\/tr>\n \n God Loves A Drunk<\/td>\n Richard Thompson<\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"