{"id":529,"date":"2012-08-21T08:33:50","date_gmt":"2012-08-21T08:33:50","guid":{"rendered":"http:\/\/mothersmilkradio.com\/?p=529"},"modified":"2012-08-21T08:33:50","modified_gmt":"2012-08-21T08:33:50","slug":"setlist-08212012","status":"publish","type":"post","link":"https:\/\/mothersmilkradio.com\/?p=529","title":{"rendered":"Setlist &#8211; 08\/21\/2012"},"content":{"rendered":"<p>\n\t<img decoding=\"async\" alt=\"Pshaw... WORK!?!?!?!\" src=\"https:\/\/lh5.googleusercontent.com\/-XRaVmPZ2A0M\/UDNERlU73TI\/AAAAAAAAAyQ\/E83pyBy9m14\/s493\/lolcat-job.jpg\" style=\"width: 425px; height: 335px; \" \/><\/p>\n<p>\n\tI&#39;m playing old favorites that are workplace-appropriate, so I have a show I can let my coworkers listen to at work&#8230;<\/p>\n<p>\n\tUPDATE: Yay! Every song was awesome. I was a little frustrated when putting this show together, because I ran across a song with a chorus that goes &quot;All fucked up on the booze and the drugs \/ How long you gonna be in the bathroom, baby?&quot; and I love that song, and I was sad that I couldn&#39;t play it tonight because it wouldn&#39;t fly at work. But it turned out I didn&#39;t miss it and I still had a bunch of stuff left over cuz&#39; time was more limited than I thought, as per usual. I stand behind every song I played tonight as an absolutely beautiful representation of what a song should be. And also as a damn fine thing to drink to. Check out the podcast by <a href=\"http:\/\/www.radio4all.net\/index.php\/program\/62288\">clicking here<\/a>, and check us out on Facebook by <a href=\"http:\/\/www.facebook.com\/MothersMilkRVA\">clicking here<\/a>.&nbsp;<\/p>\n<table class=\"playlist\">\n<tr>\n<th scope=\"col\">Song<\/th>\n<th scope=\"col\">Artist<\/th>\n<th scope=\"col\">Album<\/th>\n<th scope=\"col\">Label<\/th>\n<th scope=\"col\">Year<\/th>\n<\/tr>\n<tr>\n<td>Free Drinks<\/td>\n<td>Ringo Starr<\/td>\n<td>Free Drinks<\/td>\n<td>Koch Records<\/td>\n<td>2005<\/td>\n<\/tr>\n<tr>\n<td>Drunken Maria<\/td>\n<td>The Monks<\/td>\n<td>Black Monk Time<\/td>\n<td>Infinite Zero<\/td>\n<td>1966<\/td>\n<\/tr>\n<tr>\n<td>Billericay Dickie<\/td>\n<td>Billy Bragg and the Blokes<\/td>\n<td>Brand New Boots and Panties: Tribute to Ian Dury<\/td>\n<td>Gold Circle Records<\/td>\n<td>2001<\/td>\n<\/tr>\n<tr>\n<td>Party Party<\/td>\n<td>Elvis Costello<\/td>\n<td>Singles, Vol. 2<\/td>\n<td>Edsel<\/td>\n<td>2003<\/td>\n<\/tr>\n<tr>\n<td>The Power of Positive Drinking<\/td>\n<td>Lou Reed<\/td>\n<td>Growing Up In Public<\/td>\n<td>Buddha Records<\/td>\n<td>1980<\/td>\n<\/tr>\n<tr>\n<td>Dead Ringer For Love (feat. Cher)<\/td>\n<td>Meatloaf<\/td>\n<td>Dead Ringer<\/td>\n<td>Epic<\/td>\n<td>1981<\/td>\n<\/tr>\n<tr>\n<td>Bad Liver And A Broken Heart<\/td>\n<td>Hayes Carll<\/td>\n<td>Trouble In Mind<\/td>\n<td>Lost Highway<\/td>\n<td>2008<\/td>\n<\/tr>\n<tr>\n<td>Swingin&#8217; Party<\/td>\n<td>The Replacements<\/td>\n<td>Tim<\/td>\n<td>Sire\/Rhino<\/td>\n<td>1985<\/td>\n<\/tr>\n<tr>\n<td>Joey<\/td>\n<td>Concrete Blonde<\/td>\n<td>Bloodletting<\/td>\n<td>IRS Records<\/td>\n<td>1990<\/td>\n<\/tr>\n<tr>\n<td>Let It Ride<\/td>\n<td>Ryan Adams &#038; the Cardinals<\/td>\n<td>Cold Roses<\/td>\n<td>Lost Highway<\/td>\n<td>2005<\/td>\n<\/tr>\n<tr>\n<td>I Got Drunk<\/td>\n<td>Uncle Tupelo<\/td>\n<td>89\/93: An Anthology<\/td>\n<td>Sony<\/td>\n<td>2002<\/td>\n<\/tr>\n<tr>\n<td>Whiskey Bottle<\/td>\n<td>Uncle Tupelo<\/td>\n<td>No Depression<\/td>\n<td>Columbia<\/td>\n<td>1990<\/td>\n<\/tr>\n<tr>\n<td>The Bottle<\/td>\n<td>Gil Scott-Heron<\/td>\n<td>The Best of Gil Scott-Heron<\/td>\n<td>Arista<\/td>\n<td>1984<\/td>\n<\/tr>\n<tr>\n<td>To Hell With Poverty<\/td>\n<td>Gang of Four<\/td>\n<td>A Brief History of the 20th Century<\/td>\n<td>EMI<\/td>\n<td>1990<\/td>\n<\/tr>\n<tr>\n<td>Wine Me Up<\/td>\n<td>Faron Young<\/td>\n<td>Wine Me Up<\/td>\n<td>Mercury<\/td>\n<td>1970<\/td>\n<\/tr>\n<tr>\n<td>Downbound Train<\/td>\n<td>Chuck Berry<\/td>\n<td>Chess Masters<\/td>\n<td>Chess<\/td>\n<td>1983<\/td>\n<\/tr>\n<tr>\n<td>Hey Bartender<\/td>\n<td>The Blues Brothers<\/td>\n<td>Briefcase Full of Blues<\/td>\n<td>Atlantic\/Rhino<\/td>\n<td>1978<\/td>\n<\/tr>\n<tr>\n<td>Bring Another Drink<\/td>\n<td>Nat King Cole Trio<\/td>\n<td>Ultra-Lounge: Hey Bartender!<\/td>\n<td>Capitol<\/td>\n<td>2009<\/td>\n<\/tr>\n<tr>\n<td>I Was Drunk<\/td>\n<td>Alejandro Escovedo<\/td>\n<td>Bourbonitis Blues<\/td>\n<td>Bloodshot<\/td>\n<td>1999<\/td>\n<\/tr>\n<tr>\n<td>Niteclub<\/td>\n<td>Old 97s<\/td>\n<td>Too Far To Care<\/td>\n<td>Elektra<\/td>\n<td>1997<\/td>\n<\/tr>\n<tr>\n<td>Wasted &#038; Ready<\/td>\n<td>Ben Kweller<\/td>\n<td>Sha Sha<\/td>\n<td>ATO<\/td>\n<td>2002<\/td>\n<\/tr>\n<tr>\n<td>Goody Two-Shoes<\/td>\n<td>Adam Ant<\/td>\n<td>Friend or Foe<\/td>\n<td>CBS Records <\/td>\n<td>1982<\/td>\n<\/tr>\n<tr>\n<td>Spoonfed Celeste<\/td>\n<td>Chris Connelly<\/td>\n<td>Shipwrecked<\/td>\n<td>Wax Trax!<\/td>\n<td>1991<\/td>\n<\/tr>\n<tr>\n<td>(Stay On the) Charming Side of Drunk<\/td>\n<td>World\/Inferno Friendship Society<\/td>\n<td>Just the Best Party<\/td>\n<td>Gern Blandsten<\/td>\n<td>2002<\/td>\n<\/tr>\n<tr>\n<td>My Alcoholic Friends<\/td>\n<td>The Dresden Dolls<\/td>\n<td>Yes, Virginia&#8230;<\/td>\n<td>Roadrunner Records<\/td>\n<td>2006<\/td>\n<\/tr>\n<tr>\n<td>Alcohol the Seed<\/td>\n<td>The Swans<\/td>\n<td>Great Annihilator<\/td>\n<td>Invisible Records<\/td>\n<td>1995<\/td>\n<\/tr>\n<tr>\n<td>Heart of the Party<\/td>\n<td>Severed Heads<\/td>\n<td>Gigapus<\/td>\n<td>Decibel Records<\/td>\n<td>1994<\/td>\n<\/tr>\n<tr>\n<td>Waiting For the Great Leap Forward<\/td>\n<td>Billy Bragg<\/td>\n<td>Must I Paint You a Picture?: The Essential Billy Bragg<\/td>\n<td>Rhino<\/td>\n<td>2003<\/td>\n<\/tr>\n<tr>\n<td>Cold Beer and Remote Control<\/td>\n<td>Indigo Girls<\/td>\n<td>Live at the Fillmore Denver, November 20, 1999 <\/td>\n<td>Epic<\/td>\n<td>2000<\/td>\n<\/tr>\n<tr>\n<td>Closing Time<\/td>\n<td>Leonard Cohen<\/td>\n<td>The Future<\/td>\n<td>Columbia<\/td>\n<td>1992<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>I&#39;m playing old favorites that are workplace-appropriate, so I have a show I can let my coworkers listen to at work&#8230; UPDATE: Yay! Every song was awesome. I was a little frustrated when putting this show together, because I ran across a song with a chorus that goes &quot;All fucked up on the booze and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-529","post","type-post","status-publish","format-standard","hentry","category-setlist"],"_links":{"self":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts\/529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=529"}],"version-history":[{"count":0,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts\/529\/revisions"}],"wp:attachment":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}