{"id":581,"date":"2013-02-05T08:56:15","date_gmt":"2013-02-05T08:56:15","guid":{"rendered":"http:\/\/mothersmilkradio.com\/?p=581"},"modified":"2013-02-05T08:56:15","modified_gmt":"2013-02-05T08:56:15","slug":"setlist-02052013","status":"publish","type":"post","link":"https:\/\/mothersmilkradio.com\/?p=581","title":{"rendered":"Setlist &#8211; 02\/05\/2013"},"content":{"rendered":"<p>\n\t<img decoding=\"async\" alt=\"\" src=\"https:\/\/lh6.googleusercontent.com\/-g8Gh8vzeFPc\/UHPiPTEVNaI\/AAAAAAAAA0g\/AeGWxZWsQSo\/s350\/MothersMilk.jpg\" style=\"width: 425px; height: 351px;\" \/><\/p>\n<p>\n\tI was in a weird mood tonight. Lots of stuff I don&#39;t normally play, from electronica to hip-hop, and we&#39;ll also go ahead and round out last week&#39;s goth set with the industrial stuff I didn&#39;t have time for. It&#39;s gonna be a weird one&#8230; starting out with a cut from the new Horsehead record, which won&#39;t be on the podcast due to the current taping-shenanigans, and then easing into some mopey indie-rock because you guys just love that stuff.&nbsp;<\/p>\n<p>\n\tUPDATE: Oddly, flowed quite well for a batshit-crazy collection of music. When you&#39;ve got Bon Iver, MSI, and Obie Trice in the same set, you&#39;re doing something right. Or at least interestingly wrong. But I think right. Download the podcast <a href=\"http:\/\/www.radio4all.net\/index.php\/program\/66035\">by clicking here<\/a>. Ignore the year in the filename; I accidentally hit &#39;2012&#39; and didn&#39;t notice &#39;till after I upped it. And as always, feel free to <a href=\"http:\/\/www.facebook.com\/MothersMilkRVA\">like us on Facebook<\/a>.&nbsp;<\/p>\n<table class=\"playlist\">\n<tr>\n<th scope=\"col\">Song<\/th>\n<th scope=\"col\">Artist<\/th>\n<th scope=\"col\">Album<\/th>\n<th scope=\"col\">Label<\/th>\n<th scope=\"col\">Year<\/th>\n<\/tr>\n<tr>\n<td>Darkened Streets<\/td>\n<td>Horsehead<\/td>\n<td>Sympathetic Vibrations<\/td>\n<td>Emerald City Sounds<\/td>\n<td>2013<\/td>\n<\/tr>\n<tr>\n<td>Re: Stacks<\/td>\n<td>Bon Iver<\/td>\n<td>For Emma, Forever Ago<\/td>\n<td>Jagjaguwar<\/td>\n<td>2008<\/td>\n<\/tr>\n<tr>\n<td>Jesus, Junk, and the Jurisdiction<\/td>\n<td>Death In June<\/td>\n<td>The Rule of Thirds<\/td>\n<td>Soleilmoon<\/td>\n<td>2008<\/td>\n<\/tr>\n<tr>\n<td>The Boy With the Arab Strap<\/td>\n<td>Belle and Sebastian<\/td>\n<td>The Boy With the Arab Strap<\/td>\n<td>Jeepster Records<\/td>\n<td>1998<\/td>\n<\/tr>\n<tr>\n<td>G.I. Blues<\/td>\n<td>Carter the Unstoppable Sex Machine<\/td>\n<td>101 Damnations<\/td>\n<td>Chrysalis Records<\/td>\n<td>1990<\/td>\n<\/tr>\n<tr>\n<td>New Dawn Fades<\/td>\n<td>Joy Division<\/td>\n<td>Unknown Pleasures<\/td>\n<td>London<\/td>\n<td>1979<\/td>\n<\/tr>\n<tr>\n<td>Long Necked Bottles<\/td>\n<td>King of Luxembourg<\/td>\n<td>Fast n&#8217; Bulbous: A Tribute to Captain Beefheart<\/td>\n<td>Ozit<\/td>\n<td>1988<\/td>\n<\/tr>\n<tr>\n<td>Let&#8217;s Dance To Joy Division<\/td>\n<td>The Wombats<\/td>\n<td>Let&#8217;s Dance To Joy Division<\/td>\n<td>14th Floor Rewcordings<\/td>\n<td>2007<\/td>\n<\/tr>\n<tr>\n<td>Thrash Unreal<\/td>\n<td>Against Me!<\/td>\n<td>New Wave<\/td>\n<td>Sire<\/td>\n<td>2007<\/td>\n<\/tr>\n<tr>\n<td>Drunk Girls<\/td>\n<td>LCD Soundsystem<\/td>\n<td>This Is Happening<\/td>\n<td>EMI UK<\/td>\n<td>2010<\/td>\n<\/tr>\n<tr>\n<td>Good King Wenceslas<\/td>\n<td>Butthole Surfers<\/td>\n<td>Good King Wenceslas<\/td>\n<td>Trance Syndicate<\/td>\n<td>1994<\/td>\n<\/tr>\n<tr>\n<td>A Martini Built For Two<\/td>\n<td>My Life With the Thrill Kill Kult<\/td>\n<td>Sexplosion!<\/td>\n<td>Rykodisc<\/td>\n<td>1991<\/td>\n<\/tr>\n<tr>\n<td>Lightning Man<\/td>\n<td>Nitzer Ebb<\/td>\n<td>Showtime<\/td>\n<td>Mute<\/td>\n<td>1990<\/td>\n<\/tr>\n<tr>\n<td>Gordon&#8217;s Gin<\/td>\n<td>The Human League<\/td>\n<td>Travelogue<\/td>\n<td>Caroline<\/td>\n<td>1980<\/td>\n<\/tr>\n<tr>\n<td>Heart of the Party<\/td>\n<td>Severed Heads<\/td>\n<td>Gigapus<\/td>\n<td>Decibel Records<\/td>\n<td>1994<\/td>\n<\/tr>\n<tr>\n<td>You Only Tell Me You Love Me When You&#8217;re Drunk<\/td>\n<td>Pet Shop Boys<\/td>\n<td>Nightlife<\/td>\n<td>Sire<\/td>\n<td>1999<\/td>\n<\/tr>\n<tr>\n<td>Great Me Below Your Whiskey Bar<\/td>\n<td>NIN vs The Doors vs Gwen Stefani<\/td>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Miller High Life<\/td>\n<td>Public Image Ltd.<\/td>\n<td>Commercial Zone<\/td>\n<td>PiL<\/td>\n<td>1984<\/td>\n<\/tr>\n<tr>\n<td>Drunk Stripper<\/td>\n<td>Bob Log III<\/td>\n<td>Log Bomb<\/td>\n<td>Fat Possum<\/td>\n<td>2003<\/td>\n<\/tr>\n<tr>\n<td>Shots (feat. Lil Jon)<\/td>\n<td>LMFAO<\/td>\n<td>Party Rock<\/td>\n<td>Interscope<\/td>\n<td>2009<\/td>\n<\/tr>\n<tr>\n<td>2 Hookers and an Eightball<\/td>\n<td>Mindless Self Indulgence<\/td>\n<td>You&#8217;ll Rebell To Anything<\/td>\n<td>Metropolis<\/td>\n<td>2005<\/td>\n<\/tr>\n<tr>\n<td>Strip Tease<\/td>\n<td>Lady Saw<\/td>\n<td>Strip Tease<\/td>\n<td>VP<\/td>\n<td>2004<\/td>\n<\/tr>\n<tr>\n<td>Get Drunk<\/td>\n<td>Activator vs. Zatox<\/td>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>All of My Life (feat. Nate Dogg)<\/td>\n<td>Obie Trice<\/td>\n<td>Second Round&#8217;s On Me<\/td>\n<td>Shady<\/td>\n<td>2006<\/td>\n<\/tr>\n<tr>\n<td>Whiskey Mechanics<\/td>\n<td>C-Rayz Walz<\/td>\n<td>Who the Fuck Are You?<\/td>\n<td>Kings Link<\/td>\n<td>2009<\/td>\n<\/tr>\n<tr>\n<td>Poppin&#8217; Bottles<\/td>\n<td>Dani Deahl feat. Whiskey Pete<\/td>\n<td>Poppin&#8217; Bottles<\/td>\n<td>Red Stick<\/td>\n<td>2008<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>I was in a weird mood tonight. Lots of stuff I don&#39;t normally play, from electronica to hip-hop, and we&#39;ll also go ahead and round out last week&#39;s goth set with the industrial stuff I didn&#39;t have time for. It&#39;s gonna be a weird one&#8230; starting out with a cut from the new Horsehead record, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-581","post","type-post","status-publish","format-standard","hentry","category-setlist"],"_links":{"self":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=581"}],"version-history":[{"count":0,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=\/wp\/v2\/posts\/581\/revisions"}],"wp:attachment":[{"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mothersmilkradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}