Okay, I’m trying to tighten up, here. So I’m going to start updating the website again. WRIR’s website is great for recent shows, but it’s pretty wretched at maintaining a decent and usefully searchable archive of past shows larger than, say, a month or two. Here’s tonight’s setlist! I’ll edit the URL for downloading the podcast version into this post, if I get around to making that happen. Hopefully tomorrow. But baby-steps, man. At least I got the website back in ACTION again.
Song |
Artist |
Album |
Label |
Year |
Hitchin’ A Ride |
Green Day |
International Superhits! |
Reprise |
2001 |
Attitude (feat. Clem Burke) |
Melvins |
Everybody Loves Sausages |
Ipecac |
2013 |
Lady Killer |
The Vandals |
When In Rome, Do As the Vandals |
Restless Records |
1984 |
Standing On the Edge |
Cheap Trick |
Standing On the Edge |
Epic |
1985 |
Dreams Come True |
Brandon Flowers |
The Desired Effect |
Virgin EMI |
2015 |
Never You Done That |
General Public |
All the Rage |
A&M |
1984 |
Jesus Was Cool |
King Missile |
Mystical Shit/Fluting On the Hump |
Shimmy Disc |
1987 |
Add It Up |
Violent Femmes |
Violent Femmes |
Slash |
1983 |
I See Fire |
Ed Sheeran |
x |
Asylum |
2014 |
National Anthem |
Lana del Rey |
Born To Die |
Polydor |
2012 |
What If I Was White |
Sticky Fingaz feat. Eminem |
Black Trash |
Universal |
2000 |
Mutineer |
Warren Zevon |
Mutineer |
Giant |
1995 |
A Steel Guitar and A Glass of Wine |
Paul Anka |
The Very Best of Paul Anka |
Polydor |
1989 |
Take Me Away |
Roger Cardiff |
Cardiff Rose |
Sony |
2003 |
What We Talk About |
Old 97’s |
Fight Songs |
Elektra |
1997 |
Hank |
Treat Her Right |
Tied To the Tracks |
RCA |
1989 |
Cigarette Burns Forever |
Adam Green |
Minor Love |
Rough Trade |
2010 |
$1000 Wedding |
Gram Parsons |
Grievous Angel |
Warner Bros. |
1990 |
All My Rowdy Friends (Have Settled Down) |
Supersuckers |
Holdin’ the Bag |
Acetate Records |
2015 |
Some Other Time |
X |
Wild Gift |
Rhino |
1981 |
Awful |
Hole |
Celebrity Skin |
Geffen |
1998 |
Newmyer’s Roof |
Craig Finn |
Faith In the Future |
Partisan |
2015 |
Temptation Tide |
Sebadoh |
Bakesale |
Sub Pop |
1994 |
Understanding Jane |
The Icicle Works |
If You Want To Defeat Your Enemy Sing His Song |
Beggars Banquet |
1984 |
Natural Disasters |
Enon |
High Society |
Touch & Go |
2002 |
Jet Set Junta |
The Monochrome Set |
Westminster Affair |
El Records |
1988 |
New Monkey |
Elliott Smith |
New Moon |
Kill Rock Stars |
2007 |
Master of the House |
Cast |
Les Miserables: The Motion Picture Soundtrack |
|
|
Model |
Tangerine Dream |
Under Cover |
Cleopatra |
2012 |
Hungover On A Tuesday |
Dredg |
Catch Without Arms |
Universal |
2005 |
— devlocke
Josh from Mother's Milk here, rockin' you 80s-style with all drug-songs! My birthday is tomorrow, and I'm celebrating in style, yo. Tune in and turn on. You don't have to drop out.
UPDATE: That went pretty well. I finally got the podcast up! You can download it from Radio4All.net by clicking here. And as always, I invite you to check out the Mother's Milk Facebook page – the show is on hiatus, so it's not super-active, but whenever I see anything booze-relevant and awesome, from local shows to news articles, I put it up.
Song |
Artist |
Album |
Label |
Year |
White Lines – Don’t Do It |
Grandmaster Flash |
The Encyclopaedia of Music: Best of the ’80s |
Rajon Entertainment Ltd. |
2004 |
White Horse |
Laid Back |
Keep Smiling |
EMI |
1983 |
Sign ‘O’ the Times |
Prince |
Sign ‘O’ the Times |
Paisley Park |
1987 |
Pass the Dutchie |
Musical Youth |
Anthology |
One Way Records |
1994 |
Golden Brown |
The Stranglers |
La Folie |
EMI |
1981 |
Glamour Profession |
Steely Dan |
Gaucho |
MCA |
1980 |
Jane Says |
Jane’s Addiction |
Nothing’s Shocking |
Warner Bros. |
1988 |
Cocaine Lil |
Mekons |
Rock n’ Roll |
EMI |
1989 |
Credit In the Straight World |
Young Marble Giants |
Collossal Youth |
Pias |
1980 |
Johnny Hit and Run Paulene |
X |
Los Angeles/Wild Gift |
Slash |
1988 |
Dose of Thunder |
The Replacements |
Tim |
Sire |
1985 |
Chinese Rocks |
Ramones |
End of the Century |
Warner Bros. |
1980 |
Too Much Junkie Business |
Johnny Thunders |
Born Too Lose (The Best of Johnny Thunders) |
Jungle |
1999 |
I Aint’ Gonna Piss In No Jar |
Mojo Nixon |
Bo-Day-Shus |
Enigma |
1987 |
I’m A Junkie (So What?) |
The Dead Milkmen |
A Date With the Dead Milkmen |
self-released cassette |
1983 |
Rastabilly |
The Dead Milkmen |
Big Lizard In My Backyard |
Enigma |
1985 |
Junkie Slip |
The Clash |
Sandinista! |
Legacy/Epic |
1980 |
Mr. Brownstone |
Guns n’ Roses |
Appetite For Destruction |
Geffen |
1987 |
Kickstart My Heart |
Motley Crue |
Dr. Feelgood |
Universal |
1989 |
My Michelle |
Guns n’ Roses |
Appetite For Destruction |
Geffen |
1987 |
Coast To Coast |
The Jesus and Mary Chain |
Automatic |
WEA International |
1989 |
Some Candy Talking |
The Jesus and Mary Chain |
Psychocandy |
Rhino |
1985 |
Down In It |
Nine Inch Nails |
Pretty Hate Machine |
TVT |
1989 |
Inject Me |
Pop Will Eat Itself |
This Is the Day… This Is the Hour… This Is This! |
BMG |
1989 |
Addiction |
Skinny Puppy |
Cleanse, Fold, and Manipulate |
Nettwerk |
1987 |
Burning Inside |
Ministry |
The Mind Is A Terrible Thing To Taste |
Sire |
1989 |
Somebody Put Something In My Drink |
Ramones |
Animal Boy |
Sire |
1986 |
Bikeage |
The Descendants |
Milo Goes To College |
SST |
1982 |
You Were On My Mind |
Dash Rip Rock |
Not Of This Earth |
Mammoth |
1989 |
Mommy’s Little Monster |
Social Distortion |
Mommy’s Little Monster |
Epitaph |
1983 |
The People Who Died |
The Jim Carroll Band |
Catholic Boy |
Atco |
1980 |
— devlocke
… the show is on hiatus, probably until the fall. I kept meaning to mention that here, but I never got around to it. I mention it now because we did get to do a Drug Month show, on Songs From the Big Hair at WRIR. So I’m about to post that set-list, and then that will probably be the last Mother’s Milk-related thing for a while.
— devlocke
Liquor’s been around for ages – literally! – and promoting the sale of it is something that the producers of it have been into for just as long, no doubt. Well, maybe less long… maybe the first producers of liquor were just down to get liquored up with friends. But since the invention of money, at least, distillers have been looking for ways to stand apart. Entice the buyer! Convince him or her that your product is the BEST way to get liquored up, amongst all available options!
The label on the bottle has ever been and still remains the single most important piece of that effort – in aggragate, perhaps television ads, word of mouth and actual quality are more important in driving sales, but when a person sees a product they are unfamiliar with, all they can judge it by is the label.
In short, the label defines the liquor.
I’m an English major, not an art major. So when I look at a label on a bottle of booze, I don’t see graphic design and brilliant images, I see the words. And in this, I am blessed. For the images are sometimes delightful, often colorful, and inevitably extant, but the words kind of make me laugh.
Smooth As Silk
I first heard of Kessler Blended Whiskey from my friend Dan. Dan referred to it as “Dr. K”, simultaneously a reference to Dr. J, who was somewhat prominent when Dan was in a touring band, and the eponymous Dr. Julius Kessler. The label says it is “Smooth As Silk” – I suspect the label lies. But I’M not going to lie to YOU: It might be EXACTLY as smooth as silk, I haven’t tasted it. Nor have I ever tried to eat silk. All I can say is that, in my plural years of selling liquor to cheap-booze-swilling rednecks in Mechanicsville, I have not once been asked “Where is the Kessler?” I’m not even sure I’ve ever actually SOLD a bottle, though I’m pretty sure I did restock it once, so someone must have.
Early Times! Let's Get Drunk In the Morning!
The most amusing thing about Early Times is the name itself. Which is, you must admit, prominently displayed on the label. I mean, really? I often say “Breakfast of champions!” ironically when discussing rotgut booze, but they’re not even making a thing out of it. It’s just “Hey! We’re whiskey for the MORNING! You like drinking EARLY? We’re the motherfucking whiskey for YOU!” I can’t even argue with them; I have never crawled out of bed and thought “Shit. I need some whiskey. Vodka, wine, beer, that won’t do.” Maybe if I ever woke up with that thought, I would be forced to agree that Early Times is the best booze ever for drinking in the early times. Special props to Early Times for getting placement with the bourbons, rather than the blended whiskeys, in Virginia ABC stores, despite the fact that Early Times is not actually a bourbon.
Superior Smoothness!
Every time I see a bottle of Burnett’s, I think of my ex-girlfriend’s vagina. Because a.) I drank a lot of Burnett’s, post-facto, and b.) that shit had Superior Smoothness. Crass? Yes. Accurate? Yes. If this article does one thing for you, I hope that one thing is that every time you look at a bottle of vodka and question its smoothness, you contemplate the vagina of my ex-girlfriend. But I’ll be satisfied if you just think about vaginas in general. Sir Robert Burnett would probably be satisfied if you just bought his vodka. Incidentally, I googled him. As far as I can tell, he may once have been Lord Mayor of the town of London. I don’t think he was of the landed gentry (more on that later) and he might have never been a Sir at all, in any way, but he did, apparently, exist. According to the research of some other people who will probably be the first result you get when YOU google that shit, after you keep thinking about vaginas when you drink vodka, and wonder about the man who started it all.
ROYALTY!
The impetus for this article: Royalty. When I rock a bottle of Aristocrat vodka, I proudly proclaim that I am drinking like the landed gentry. When I drink a bottle of Fleishmann’s, I admit that there is liquor that even I think sucks. Aristocrat tastes like rubbing alcohol, but honestly? That’s fine. I’ve gotten used to that taste; I’ve been depressed and unemployed before, and that’s what Aristocrat is for. Fleishmann’s, though? It’s for nothing. Not for naught: You will get drunk if you drink it. But you could have payed a few dimes less, and AVOIDED having to make the Fleishmann’s-face every time you swallowed. The takeaway, though, is this: if your bottle of liquor says “royal” on it, you could do better. I look forward to comments telling me I’m wrong, but I’m pretty sure that no bottle of liquor with the word “Royal” as a descriptor on the label has ever been bought gleefully. We buy that shit because we have to, not because we want to.
Of Topmost Class!
And now… my favorite! Only carried in a plastic half-gallon, never higher than the bottom shelf, Old Taylor proudly proclaims itself… “Of Topmost Class”! Obviously, that’s classy. It says so, itself. But it also reminds me of Indiana Jones. “We have bourbon of topmost class.” “What bourbon?” “TOPMOST bourbon.” You can’t question it. It is fothermucking topmost. Obviously, it’s a lie. Well, maybe not, I haven’t had it. I think maybe that needs to be a sequel to this post, actually: my reactions to the most amusingly labelled liquors. But until that happens, I am going to assume that this bottom-shelf, cheap-as-fuck bourbon is not, in fact, of topmost class. It’s just brazenly willing to bullshit you. And I find that adorable.
HONORABLE MENTION:
"Kisses But Never Tells...
I couldn’t include this in the top five because the words are not on the label. But if you work in the “liquor industry” and you come into contact with cases of Nikolai, you know that it “Kisses But Never Tells…” – that is awesome on so many levels. The first level? I don’t even know what that means. How am I supposed to interpret that? I have no idea. I don’t really care. It’s awesome. I assume that it is the only vodka to officially sponsor infidelity. I bet, if you go to a hotel that offers hourly rates AND has a mini-fridge, you will find that mini-fridge stocked with Nikolai vodka. Second level? It’s a slogan that is not on the label. WHICH WOULD BE TELLING. How awesome ARE these people? That awesome. Don’t tell.
— devlocke
Is "imbibement" a word? I have no idea. Well, I have a sneaking suspicion it wasn't, before I coined it, actually, but maybe not. I have no certainty, is what I'm saying. Drink up!
UPDATE: I kind of want to cry. The podcast saved all glitchy. And the show was so GOOD, dammit. Oh well.
Song |
Artist |
Album |
Label |
Year |
Go Home Little Girl |
Dash Rip Rock |
Ace of Clubs |
Mammoth |
1989 |
Like Your Mama Said |
Dash Rip Rock |
Dash Rip Rock |
Mammoth |
1986 |
Leave Me Alone (With My Bottle) |
Dash Rip Rock |
Ace of Clubs |
Mammoth |
1989 |
Whisky, Mystics, and Men |
The Doors |
Perception |
Elektra |
2006 |
What Have I Done To Deserve This? |
Pet Shop Boys |
Actually |
EMI |
1987 |
I Want To Be There – When You Come |
Echo and the Bunnymen |
Evergreen |
London |
1997 |
Drink You Sober |
Bitter:Sweet |
Drama |
Quango Fontana |
2008 |
Slow Jam |
New Order |
Get Ready |
Reprise |
2001 |
Dead Now |
Frightened Rabbit |
Pedestrian Verse |
Atlantic |
2013 |
I.R.S. |
Guns n’ Roses |
Chinese Democracy |
Geffen |
2008 |
Anything, Anything (I’ll Give You) |
Dramarama |
Live At the China Club |
Chameleon |
1990 |
Sluttering (May 4th) |
Jawbreaker |
Dear You |
Geffen |
1995 |
The Background |
Third Eye Blind |
Third Eye Blind |
Elektra |
1997 |
You Can Bring Me Flowers |
Ray LaMontagne |
Till the Sun Turns Black |
RCA |
2006 |
The Triffids |
Goodbye Little Boy |
The Black Swan |
Mushroom Records |
1989 |
Books on the Bonfire (edit) |
The Bolshoi |
Away… Best of The Bolshoi |
Blanco y Negro Records |
1999 |
The House That Dripped Blood |
The Mountain Goats |
Tallahassee |
4AD |
2002 |
I Work In A Saloon |
Arab Strap |
The Week Never Starts Round Here |
Matador |
1996 |
Fifteen Minutes of Fame |
Sheep On Drugs |
Best of a Bad Bunch |
Invisible |
2006 |
Wake Up, Time To Die |
Pop Will Eat Itself |
This Is the Day… This Is the Hour… This Is This! |
RCA |
1989 |
Attitude |
Melvins |
Everybody Loves Sausages |
Ipecac |
2013 |
Sexuality |
Billy Bragg |
Don’t Try This At Home |
Go! Discs |
1991 |
Twydale’s Lament |
Half Man Half Biscuit |
Achtung Bono |
Probe Plus |
2005 |
C.A.M.R.A. Man |
Half Man Half Biscuit |
Voyage to the Bottom of the Road |
Probe Plus |
1997 |
Tour Jacket With Detachable Sleeves |
Half Man Half Biscuit |
Some Call It Godcore |
Probe Plus |
1995 |
Die Young |
Ke$ha |
Warrior |
RCA |
2012 |
Flashlight |
The Front Bottoms |
The Front Bottoms |
Bar/None |
2011 |
Cut It Out |
The Go-Betweens |
Tallulah |
Blanco y Negro |
1987 |
Hair of the Dog |
Green On Red |
Gas Food Lodging |
Enigma Records |
1985 |
— devlocke
… and anything else, for that matter.
UPDATE: Fucking nailed it, dawg. Solid show. Lots of multi-song sets from the same artist, but not overbearingly so, and they were all pretty solid. I dug the show a lot and I was barely sentient for most of it. Click here to download it, like a boss. As per always, click here to check us out on Facebook.
Song |
Artist |
Album |
Label |
Year |
Black Liquor |
Dash Rip Rock |
Black Liquor |
Alternative Tentacles |
2013 |
It’s the Beer |
Dash Rip Rock |
Country Girlfriend |
Bill Davis |
2008 |
Natchez Trace |
Dash Rip Rock |
Country Girlfriend |
Bill Davis |
2008 |
Meet Me At the River |
Dash Rip Rock |
Black Liquor |
Alternative Tentacles |
2013 |
Hungover In Church |
Cadaver Dogs |
Pariah Social |
self-released |
2008 |
The After Hours |
Cadaver Dogs |
Pariah Social |
self-released |
2008 |
Dirty Jokes |
Cadaver Dogs |
Pariah Social |
self-released |
2008 |
Front Porch |
Slobberbone |
Barrel Chested |
New West |
1997 |
Billy Prichard |
Slobberbone |
Barrel Chested |
New West |
1997 |
One Rung |
Slobberbone |
Barrel Chested |
New West |
1997 |
Born Sandy Devotional |
The Triffids |
In the Pines |
Domino |
1986 |
Tender Is the Night (The Long Fidelity) |
The Triffids |
Born Sandy Devotional |
Domino |
1986 |
The Seabirds |
The Triffids |
Born Sandy Devotional |
Domino |
1986 |
Uncorrected Personality Traits |
Robyn Hitchcock |
I Often Dream of Trains |
Rhino |
1984 |
Mother of the Bride |
Billy Bragg |
Don’t Try This At Home |
Go! Discs |
1991 |
Infinite Arms |
Band of Horses |
Infinite Arms |
Columbia |
2010 |
Lover I Don’t Have To Love |
Bright Eyes |
LIFTED or The Story Is the Soil, Keep Your Ear To the Ground |
Saddle Creek Records |
2002 |
Rose Parade |
Elliott Smith |
Either/Or |
Kill Rock Stars |
1997 |
Late March, Death March |
Frightened Rabbit |
Pedestrian Verse |
Atlantic |
2013 |
Evening Kitchen |
Band of Horses |
Infinite Arms |
Columbia |
2010 |
Narcolepsy |
Third Eye Blind |
Third Eye Blind |
Elektra |
1997 |
London |
Third Eye Blind |
Third Eye Blind |
Elektra |
1997 |
God of Wine |
Third Eye Blind |
Third Eye Blind |
Elektra |
1997 |
22 |
Taylor Swift |
22 |
Big Machine Records |
2013 |
Crazy Kids |
Ke$ha |
Warrior |
RCA |
2012 |
Young, Wild, & Free (feat. Bruno Mars & Snoop Dogg) |
Wiz Khalifa |
Young, Wild, & Free |
Atlantic |
2013 |
Eat That Up, It’s Good For You |
Two Door Cinema Club |
Tourist History |
Glass Note |
2010 |
I’ll Be Alright |
Passion Pit |
Gossamer |
Columbia |
2012 |
Finnegan’s Excessive Wake |
Tangerine Dream |
Finnegan’s Wake |
Cleopatra |
2013 |
— devlocke
That song from Prairie Home Invasion never fails to make me smile. What's up, guys? Let's get drunk.
UPDATE: Go here to listen to the show. It was good. Also, check us out on Facebook by clicking here.
Song |
Artist |
Album |
Label |
Year |
I Lie When I Drink |
Dale Watson |
El Rancho Azul |
Red House Records |
2013 |
I Drink To Remember |
Dale Watson |
El Rancho Azul |
Red House Records |
2013 |
I Hate To Drink Alone |
Dale Watson |
El Rancho Azul |
Red House Records |
2013 |
Line Up |
Elastica |
Elastica |
DGC |
1995 |
Bedhead |
Sleeper |
Smart |
Arista |
1995 |
Feeling Peaky |
Sleeper |
The It Girl |
Arista |
1996 |
True Drunk Love |
Dash Rip Rock |
Tiger Town |
Doctor Dream |
1993 |
Liquor Store |
Dash Rip Rock |
Dash Rip Rock’s Gold Album |
Naked Language |
1996 |
Pussywhipped |
Dash Rip Rock |
Dash Rip Rock’s Gold Album |
Naked Language |
1996 |
Lucifer Rising |
Rob Zombie |
Venemous Rat Regeneration Vendor |
Universal |
2013 |
We’re An American Band |
Rob Zombie |
Venemous Rat Regeneration Vendor |
Universal |
2013 |
Granny Farming In the UK |
Carter the Unstoppable Sex Machine |
A Sheltered Life |
|
|
A Sheltered Life |
Carter the Unstoppable Sex Machine |
A Sheltered Life |
|
|
The Way I Tend To Be |
Frank Turner |
Tape Deck Heart |
Polydor |
2013 |
Billericay Dickie |
Ian Durie |
New Boots and Panties!! |
Demon |
1977 |
North Sea Bubble |
Billy Bragg |
Don’t Try This At Home |
Cooking Vinyl Records |
1991 |
Anymore |
Frank Turner |
Tape Deck Heart |
Polydor |
2013 |
Magazine |
Pigface |
Notes From Thee Underground |
Invisible Records |
1994 |
Liberator |
Spear of Destiny |
The Best of Spear of Destiny |
Recall |
1998 |
— devlocke
Tunes! Booze! Victory!
UPDATE: Christ. It took long enough, but the podcast is up. Click here to check it out. As per always, this is our Facebook.
Song |
Artist |
Album |
Label |
Year |
Better Times |
The Ones To Blame |
Better Times |
Thew Ones To Blame |
2012 |
The Ones To Blame |
The Ones To Blame |
Better Times |
The Ones To Blame |
2012 |
Alcoholics |
The Ones To Blame |
Better Times |
The Ones To Blame |
2012 |
Hannah |
Ray LaMontagne |
Trouble |
14th Floor Recordings |
2004 |
The Great Salt Lake |
Band of Horses |
Everything All the Time |
Sub Pop |
2006 |
Jagged |
Old 97’s |
Fight Songs |
Elektra |
1999 |
What We Talk About |
Old 97’s |
Fight Songs |
Elektra |
1999 |
Crash On the Barrelhead |
Old 97’s |
Fight Songs |
Elektra |
1999 |
Busted Afternoon |
Old 97’s |
Fight Songs |
Elektra |
1999 |
Drinkin’ Beer and Wastin’ Bullets |
Luke Bryan |
Doin’ My Thang |
Wrasse |
2009 |
Touch Me Behind the Liquor Store |
Cadaver Dogs |
Pariah Social |
Cadaver Dogs |
2008 |
A Beer and A Shot |
Juliana Hatfield & Frank Smith |
Sittin’ In A Tree… |
Ye Olde Records |
2007 |
Like Your Mama Said |
Dash Rip Rock |
Dash Rip Rock |
Mammoth |
1986 |
Leave Me Alone (To My Bottle) |
Dash Rip Rock |
|
Mammoth |
|
Big Daddy Like Whiskey |
Dash Rip Rock |
Dash Rip Rock |
Mammoth |
1986 |
Go Home Little Girl |
Dash Rip Rock |
|
Mammoth |
|
Women and Work |
Car Bomb Inc. |
YouTube |
self-released |
|
Between the Lines |
Mudd Helmet |
unreleased |
|
|
Twelve Glass Soldiers |
Venus Throw |
Raised Right, Gone Wrong |
self-released |
2012 |
Hello Hangover |
Jaya the Cat |
More Late Night Transmissions With… |
I Scream Records |
2007 |
Twist the Cap |
Jaya the Cat |
First Beer of a New Day |
Suburban Records |
2005 |
Six Cold Beers |
Jaya the Cat |
|
|
|
Beer |
People Under the Stairs |
Beer |
Om |
2010 |
Bring Out the Bottles |
RedFoo |
Bring Out the Bottles |
A&M |
2012 |
I Want A Lover |
Pet Shop Boys |
Please |
EMI |
1986 |
One More Chance |
Pet Shop Boys |
Actually |
EMI |
1987 |
Eat Me, Drink Me, Love Me, Kill Me |
Pop Will Eat Itself |
The Looks Or the Lifestyle |
Cherry Red |
1992 |
Beer Metal Sex |
Abigail |
|
|
|
Putting Anthrax in the Beertap on Britpop Saturdays |
Magrudergrind |
Rehashed |
Six Weeks |
2007 |
Shots |
LMFAO |
Essential R&B 2010 |
Universal |
2010 |
Waving My Dick In the Wind |
Ween |
The Mollusk |
Elektra |
1997 |
Hurricane |
Panic! At the Disco |
Vice & Virtues |
Fueled By Ramen Records |
2011 |
Toss Me A Beer Man |
Tracy Lords Loves Noise |
|
|
|
— devlocke